The Art of Homeostasis (for Stevie and Myles) @ The Nervous Breakdown

In quantum field theory, in my imperfect understanding of it, gleaned from YouTube, a physicist can make an atom vibrate on one level, like a violin string, as well as a neutrino on another level, and so forth and so on. But apparently, Higgs Boson, a subatomic particle with no mass whatsoever, moves everywhere, on all levels; fluid, like a body of water, like a river, appearing and disappearing. This is why it’s called the God particle. It’s omniscient and omnipresent. It doesn’t move through time, it is time itself.

Lillian Ann Slugocki is a poetic, edgy, post-feminist voice

You might want to make sure you’re sitting down while reading her.

ALFW’s East Coast Salon with a little help from our friends

AFLW East Coast Salon at KGB on May 30th.Writers: Jennifer Baker, Alison Kinney, Ysabel Y. Gonzalez, Michael J Seidlinger, Tobias Carroll, and Marnie Goodfriend. Also in attendance, Rosanna Arquette and friends.

AFLW East Coast Salon curated by Lillian Ann Slugocki and Michele Raphael

Angel’s Flight * literary west is based out of Los Angeles– a lit mag that features some of the best writers on the west coast. We’re proud to present some of the best writers on the East Coast on May 30th at KGB The Red Room, NYC

A Review of Badlands @ Smack Mellon Gallery in DUMBO

The border is a ghost town. On the one hand, it is an intimate portrait of the unfriendly, almost menacing topography of this region, and on the other, a charged political statement. The end of the wall is a bisected overpass of a highway that begins and ends in mid-air. In contrast, the beginning of the border resembles the badlands, an almost primeval landscape. It eventually evolves into civilization, the floating highway— yet both look dangerous.

Wreckage of Reason Book Tour: Elizabeth Bachner talks to Lillian Ann Slugocki

EB: I love the brilliant and playful way your feminist deconstruction of A Streetcar Named Desire approaches these questions. What are your ways of thinking about autobiography versus fiction, “real” versus imaginary or invented? How do you use yourself in your work? How does your work change and shape your life?

5 Cantos in Late September @ Atticus Review

I think he fell out of bed at the nursing home because he was really at the beach in Ft. Lauderdale, just north of Las Olas Boulevard, and south of Sunrise. This was his favorite spot, old school Florida– the Jolly Roger Hotel, and the Parrot; a tiki bar for locals. He was at the shoreline in a hospital bed, just as the sun was coming up, facing south, and sitting up. Instead of being in some institutional nursing home, he was at the beach. And he just got up, and walked away, headed north. On earth– his body fell out of bed. And that was the end. The rest was pro forma. Maybe his heart kept beating, but — really, he was at the beach, smoking a Marlboro Light, and a having a coffee. And he knew he was dead, and said, glad that shit’s over.

The Cambridge Writers’ Workshop’s CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing C&R Press, Spring 2018

A raw look at what motivates 21st century authors. CREDO is a triad of creative writing manifestos, essays on the craft of writing, and creative writing exercises. These manifestos interrogate and harken back to the modernist manifestos of the early 20th century.

The Changeling @ Full Grown People

She arrives after a twenty-five-year absence in our brother’s life; a seeker, a philosopher, convinced she can carry the weight of his impending death, that she could, in fact, be his angel of death. Like Charon, she has the gold piece for passage in her teeth at all times. She is both midwife and doula for the dying. Our first night together, at the all-night grocery store, Mark wears flannel pajama bottoms, white socks, flip-flops. His eye sockets are purple under the canopy of fluorescent lights. She’s Martha Stewart on crack.